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At this time, he is "just a wretched dog willing to die for her," and he gives the ring she had lost to her and tells her she is free to marry Raoul. Erik releases Raoul, and he and Christine go. But, before they leave, Erik makes Christine vow that if he dies, she would return to bury him. Then she kisses Erik on the cheek. Erik dies three weeks later, but not before going to see the Persian and telling him everything, and promising to give him Erik's most prized possessions: the documents Christine wrote about all that had transpired with her "Angel of Music," as well as certain objects that had belonged to her. Christine fulfills her vow and returns to the Opera to bury Erik and set the simple gold ring he gave her on his finger. According to Leroux, a skeleton sporting such a ring was subsequently discovered in the Opera vaults. According to the 2004 film and musical []
The shortest version is as follows:
âI am a free agent, monsieur de Chagny; you have no authority to dictate my conduct, and I will respectfully request that you refrain from doing so in the future. In terms of what I've done over the last two weeks, there is only one guy in the world who has the right to demand that I answer for it: my spouse! âWell, I don't have a spouse, and I'm not going to marry!â
Erik as he was described in the original novel. This is how the Phantom REALLY seems. As much as I like the film, Erik isn't intended to be attractive; instead, he's portrayed as looking like a living corpse or a zombie. _As hot as Erik was in the film, I still like the novel version of him. Okay, seeing him without his shirt is a bit scary, but Erik states in the book that he is covered with death from head to toe, so it wasn't only his face that was malformed. What's the story behind the half-mask? It's a parody of Erik's cinematic portrayals, which usually make him look good with just half a mask on. -JenL
